Photo Shoot January 2017

So for a while I’ve been wanting to try something a bit different, but didn’t have the confidence to. I’ve been thinking of doing some modeling, and so when a friend asked if I could help him build up his photography portfolio, it was a great opportunity. We had loads of fun, especially as style is its own art form and I am fascinated by how art can become its own identity. Here are the photos 🙂

Influenced by Stevie Nicks/AHS Coven

Photographed by Alexander Tate

 

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New Tenant

I lease the rates,

Ease my heart out

Tease my heart out

Let another one in,

Infatuation to unpack and dwell

In four slimy chambers

With dank russet iron smell,

Black tarry swell

Clamping tighter tighter

Dark bloody cell

And it, the new tenant

Fitting well

Apt to stay a while

And never tell

Of lost sense

Which scrambles like

Ailing hounds

From hell;

Like plague rats repelled

From Death’s toll bell

And inside I hear

A doll voice-tiny yell

“What colour can I

Paint your ribs?”

Creak as they may

Circling circling bone manacles

That even my lungs could not dispel

And yet I

In dystopian skin

Inhabited notice change within

As ardour sets on small feet

To expel the rot,

Air the place

Clear space

Greet mess

And sort

Bit by bit

Day one my lips were

Lashed to kiss,

Day two veins tangled

In strangled blue grip,

Day three

A path paved to my spine,

Garden in my hot skull

Stained hope at the eyes

Day four

Worried guests came to dine,

Gnawed a bit,

Jostled and declined

An invitation to stay all night;

“Too full,” they said

As they took flight

And then day five,

Humble, quiet

Sat on its heels,

Without warning ignited

Fierce inferno

To burn flesh slow,

Crackling ardent hiss

In flames of rose;

Smouldering under my clothes

See there I am,

There I am,

Glowing and unable to resist

As there you are,

There you are

On fire and hard to miss

Held by your halo

You bastard arsonist

At Sea – Part Two

I stood under necrotic grey,

And heard the calling of crows,

Long caws stitching wounds

Only I and the gods could know,

And I grew tired,

Sank into winter’s monochrome

Painting the ceiling

Of the cathedral

Of our planetary home,

Despondence,

Pray, ground, alone;

Despotic vespers half-danced

From the knees

To a blind dull dome

I writhed and exalted for summer,

For other birds already flown,

Whispered words about

Bright plumage gone

Added an ‘amen’

In a stream of sibilant drone

Land-locked in urban wilderness,

I still find myself at sea

Stranded on the frozen waves

That will not bear me

Closer back through the years

To when the Albatross

Didn’t follow

Nor to when the roars

Of prevailing loss

Couldn’t other sounds swallow

Nor to when the sky was

A victim of theft,

Robbed of blue and indigo and yellow,

Nor to when I was robbed too,

Made bereft

And knew the blow

Of death’s fist

Punching in sorrow

You aren’t here,

It’s black and white,

Written in 2D shades

Done;

The light has been dialled down,

I will age,

You will stay young,

Cue the hissing of haunting serpents

And the dimming of the sun

Moon Cake

Birthday cake, yours,

A bloated moon that doesn’t shine;

We gather and ignite

Candles as gnarled as trees

Grown in fairy tales

You are not here

To blow them out

But have still taken root

In thoughts that sit like petulant goblins,

In belongings that slump unused

I cannot fill your boots

Lurking by the door

There is nothing to get you but flowers;

We are heavy

But still sing, uninspired drone

Fan the flames away

In thin whines of smoke

And I see the long wings of grief,

Dogged albatross sorrow

Cutting incandescent night,

Dipping across blackened wicks,

Wax sticks standing small

Beneath their now extinguished light

Like the Ancient Mariner,

I must tell anyone with ears

Your tale

Since eleven years

Have over passed

And I still find myself at sea

With the battering waves

And twisted serpents

Howling up a gale

As long as the loyal bird of loss

Takes time to follow me,

Everyone will know your name

November

I’ll take this November

To remember,

Not gunpowder, not parliament, or plots,

But you who lived,

Law of language running.

Treason when you were made silent

Stopped.

The words you could

No longer say were coloured,

Torture on the rack;

Golden words,

Goodbye in red

Splintering dark between

I think of my co-conspirator

Your consonants of love in green,

And want my childhood back

Featured

Insidious Concept Piece

 

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Insidious:

In the keep,

The walls are stretched,

Ink smudged

With mould that

Blooms, changes shape,

And grows

Into the monster’s snarl

Large and disjointed growl

Of some dishevelled creature

Which has its wiles

And misfortune

Dripping from its jowls

Some salivary Morse code,

Here a dash and a dot

Abroad in the clawprints

Where it has crawled

To tower top,

The boards shrinking

And wood withered

Away from poisonous

Padded foot

If we could only drown

The damn thing in the moat,

Or throw it in the hold –

Yet

This thought or that

Keeps the being’s spirit

Afloat, kicking, alive,

No good

We’ll whistle a song, stoke

The flames and lock the

Doors shut;

If we stop, go silent

We’ll hear the handle turn

Or the thud, thud, thud

And howls

From above

Eaves

It’s autumn,

A cold night between the eaves,

We’re playing poker

In the loft space,

Piling cards on an old tea chest,

A make shift desk

In the near dark,

As the wind,

Ominous as a disembodied voice,

Drags drawn out vowels

On the roof,

Then flings them away

You smile, choose from

The untidy heap

It’s your turn

To make a deal;

Your chance to ace,

Club the queens,

Bury me deck deep

With a black spade,

Steep the loss,

Collect the chips,

Make sure nothing comes cheap,

Take the uppermost leaf

From the diamonds folding

At the top of the house

Make some slight

Under the slant of slate,

A room seemingly freight

With winning and losing

And slipping and using

What we have into the game,

No tricks,

Only measured play,

The capacity for woe, worry,

Elation, the power

To berate making their way

As spectators,

Perhaps passion

Arriving late

Your smile widens,

Though I keep an impassive face;

Anticipation acting chief

As our hands are revealed,

You have only drawn hearts

At the point of defeat,

And I understand

In love, there is no triumph

To be had,

Nor small victories to keep,

As the reward is in surprise

When doubt is relieved